Based on a survey of more than 2,000 Canadians (including substantial samples of youth and Indigenous residents), this report highlights information about arts and heritage attendance, personal arts participation, as well as perceptions of cultural activities and government arts support. The report concludes that there is “robust public engagement with arts and culture in Canada”.
Based on an online survey of 1,410 Quebec residents (18 and older) in September 2015, this report highlights the public’s perceptions of artists, their role in society, impacts of the cultural sector, and the governmental role in supporting culture. In general, 77% of respondents believe that the arts and culture are important to them. Annual arts participation rates are 78% for cinemas, 71% for the performing arts, and 49% for museums.
This report presents the results of a random telephone survey of 1,004 Ontario residents (18 and older) in early March 2017, bearing a margin of error of plus or minus 3.1 percentage points, 19 times out of 20. Respondents were asked a series of questions about their perceptions of the arts in Ontario, with specific questions regarding the quality of life, well-being, identity, belonging, and public arts funding. A vast majority of Ontarians believe that the arts are somewhat or very important to their own lives (85%) and to life in their community (90%).
Two recent reports about the arts and culture in the Alberta Regional Municipality of Wood Buffalo (i.e., Fort McMurray and area) resulted from three research streams: 1) a telephone survey of a representative sample of local residents; 2) an internet survey of local artists and arts organizations; and 3) a literature review regarding the arts and regeneration after a disaster.
The Ottawa Insights series examines key data related to various “themes” that are important to local quality of life, including the arts and culture. The report provides information related to four areas of the arts and culture: Public participation; Programs and facilities; Investment in the arts; The arts and recreation economy.
Based on a survey of 120 municipalities, this report examines the state of municipally-owned infrastructure in seven sectors: buildings; sport and recreation facilities; roads and bridges; transit; potable water; wastewater; and stormwater. The buildings sector includes “community centres and cultural facilities”.
Based on municipal submissions that have been reviewed by their peers, this report compares municipal expenses related to 36 service areas, one of which is culture. In 2015, the median overall cost for cultural services in the eight cities was $26.84 per capita. Expenses for cultural services were highest in Montreal ($43.79), followed by Ottawa ($33.21) and Toronto ($31.81). Median grants for the arts, heritage, and festivals were $8.86 per capita, again highest in Montreal ($23.16), followed by Thunder Bay ($17.59) and Ottawa ($9.70).
Based on “a literature review, phone interviews, online surveys, artist roundtables and the development of an inventory of training providers”, this report examines the current situation and needs regarding skills training and supports for artists and arts organizations in Nunavut.
Every year, Quebec’s cultural observatory surveys municipalities about their spending on the arts, culture, and heritage, including: libraries; arts and letters; heritage, public art and design; cultural festivals and events; events with a cultural component; cultural and scientific leisure activities; conservation of historical archives; and other cultural expenditures. Quebec municipalities’ operating expenditures on culture totalled $859 million in 2014, representing 4.7% of total municipal operating expenditures.
With funding from the Social Sciences and Humanities Research Council, the Saskatchewan Partnership for Arts Research (SPAR) undertook a survey of Saskatchewan artists, receiving 348 responses. An important finding of the survey is the degree to which respondents engage in artistic activities in multiple disciplines. In fact, the survey found that just 26% of respondents selected only one artistic discipline. The average number of disciplines selected by each respondent was 2.8.