This report argues that "a great shift is underway as participatory arts practice moves closer to the core of public value". According to the authors, this provides the arts community with "an opportunity to engage the collaborative, co-creative, open source mindset that is present in every community". The report argues that "arts groups devoted solely to a consumption model of program delivery will slowly lose ground in a competitive marketplace".
Based on a survey of 4,005 Americans 18 years of age or over, Culture Track 2011 examines attendance at visual and performing arts events, the attitudes and behaviours of cultural audiences, as well as the motivations and barriers that influence participation.
With the perspective that "we are witnessing a dynamic shift in [cultural] participation, both in amount and in form", this series of case studies was prepared to help arts organizations attract and engage new audiences, in order to help secure their artistic and financial sustainability.
This report provides an examination of the challenges, needs and opportunities of Toronto-based mid-career contemporary dance creators. Based on an in-depth survey of 14 dancer-choreographers, the report notes that the mid-career dancers are on average 39 years old, with 18 years of professional dance experience and an average annual income of about $18,000.
This report explores possibilities for measuring the social impacts of organizations' activities, despite challenges such as "the lack of a common measure of how much good has been done" and the lack of an "agreed unit of social impact" that might be equivalent to financial metrics used in market transactions.
This brief fact sheet notes that there is a rich tradition of creativity and artistic ability in Inuit communities, with many artists blending "traditional knowledge with modern-day techniques". "Elements of mixed cultural experiences meld with traditional Inuit culture to form a new and exciting genre of Inuit art."