The Artistic Dividend Revisited updates Markusen's 2003 study on The Artistic Dividend (see Arts Research Monitor Vol. 2 No 5) by providing information from the 2000 U.S. Census on arts occupation clusters (performing artists, visual artists, writers and musicians) and the location decision-making of artists.
Arts Research Monitor articles, category = Creative class, cities, people, neighbourhoods
Ann Markusen, Greg Schrock and Martina Cameron, University of Minnesota
This report explores the potential clustering of arts and cultural industries in Canadian Census Metropolitan Areas using four main factors: cultural production; cultural employment; education in cultural programs; and the migration of cultural workers.
Artists in Canada’s Provinces, Territories and Metropolitan Areas Based on the 2001 Census (17 Oct 2005 | Vol. 3 | No. 6)
The most recent report in Hill Strategies' Statistical Insights on the Arts series highlights the number and earnings of artists in Canada's provinces, territories and Census Metropolitan Areas based on the 2001 census.
Four reports from Canadian Policy Research Networks (August 2004) provide information about: What is a creative city? What are some benefits of creative cities? What is required to build a creative city? What are the barriers and opportunities in the development of creative cities? How can public policy influence creative cities? Creative city case studies.
Competing for Talent: Implications for Social and Cultural Policy in Canadian City-Regions
Devoted to the debate over the "creative class" theories of Richard Florida, this issue attempts to review the most salient reports and articles from supporters, followers and detractors of the creative class theories, with a particular focus on Canadian implications.
Competing on Creativity: Placing Ontario’s Cities in a North American Context (16 Oct 2005 | Vol. 1 | No. 6)
In this report, Richard Florida and collaborators apply the analysis from his popular 2002 book The Rise of the Creative Class to Canada, with particular emphasis on Ontario.
Austin’s Economic Future: The Intersection of Innovation, Creativity and Quality of Life (16 Oct 2005 | Vol. 1 | No. 4)
Any report that recommends to keep a community "weird" is at least worth a glance. This report on economic development in Austin, Texas – the self-proclaimed "Live Music Capital of the World" –embraces culture as an economic engine.