Based on 11,111 on-site interviews in the summer of 2011 with visitors at 49 British art galleries, this report highlights a range of characteristics of art gallery visitors. Despite a caution regarding representation of all gallery visitors, the report does provide some interesting findings about survey respondents.
This study attempts to address three key research questions: 1) "How is digital media currently used in theatres both in Ontario and beyond and what is the potential for expanding its use?"; 2) "How can the content developed for the stage be adapted and repurposed for use on digital media platforms?"; and 3) "How can theatres use digital media to reach a wider and more demographically diverse audience?"
This discussion paper, intended for use by arts funding bodies, provides a useful overview of "current knowledge on the theme of digital transition and the impact of new technology on the arts". The paper indicates that "the electronic, networked and interactive nature of the digital world has a significant impact on the arts".
This report examines the relationship between childhood arts experiences and adult arts participation, based on a survey of 13,500 English adults who were asked to recall their childhood arts experiences. Overall, the report found that "being exposed to arts events and encouraged to participate in arts activities when growing up indeed makes a positive contribution to the chances of people developing a life-long interest in and active relationship with the arts".
Based on four longitudinal datasets, this American report examines the association between in-depth arts engagement and academic or civic outcomes for at-risk youth. The report notes that high-arts students fare at least as well as low-arts students on almost all indicators of academic achievement and civic engagement, and significantly better than low-arts students on a number of indicators.
This report and two presentations were prepared by Kelly Hill using data submitted by 50 members of Orchestras Canada. Total revenues of the 50 orchestras equalled $158 million in 2010-11, with earned revenues accounting for the largest share (37%), followed by government revenues (34%) and private sector fundraising (29%). The breakdown of revenues by source remained fairly stable between 2004-05 and 2010-11.
Statistics Canada's annual performing arts survey provided brief text highlights and preliminary data of the situation of performing arts organizations in 2010. Hill Strategies has analyzed the detailed data, with a particular focus on not-for-profit organizations, for this issue of the Arts Research Monitor. Operating revenues were $1.55 billion for all performing arts groups in 2010, an 11.0% increase from 2009. In 2010, not-for-profit performing arts organizations in Canada had operating revenues of $752 million, representing 49% of the $1.55 billion sector total and an 8.8% increase from 2009.