This study examines cultural and sports participation by off-reserve Aboriginal children between 6 and 14 years of age, based on the 2006 Aboriginal Peoples Survey (a survey with 11,940 respondents). As reported by parents, the survey found that 40% of Aboriginal children participated at least occasionally “in culturally related activities” (no specific definition provided), while 69% participated at least once a week in sports-related activities.
The National Endowment for the Arts' 2012 Survey of Public Participation in the Arts collected data about the arts activities of more than 37,000 Americans 18 years of age and older. The report provides key arts participation figures.
Based on a survey of 1,005 English-speaking Canadians 18 years of age or older who had bought a book during the month prior to the survey (which was conducted between July and September of 2012), this report finds that only 24% knew that they had read a book by a Canadian author in the past year. In total, 43% of English-speaking Canadian book buyers were unsure whether they had read a book by a Canadian author, while 34% indicated that they knew that they had not done so during the past year.
Between May and July 2012, the Pew Internet and American Life Project surveyed 1,258 arts organizations that had received funding from the National Endowment for the Arts between 2007 and 2011. The survey results cover the use, benefits, and challenges of digital technologies for American arts organizations.
This survey of 891 English arts and culture organizations, conducted in the summer of 2013, examines the organizations’ digital activities, impacts of digital technologies, and the barriers to further digital utilization. This is the baseline year of a three-year longitudinal study.
This article, based on the 2010 General Social Survey and the 2010 Canadian Internet Use Survey, finds that there is still a substantial gap in online media consumption between younger Canadians and those 65 or older in terms of internet use, music downloading, and movie or video watching.
Arguing that key economic indicators such as Gross Domestic Product have “failed to capture many of the factors that influence people's lives”, this comparative international report attempts to provide “a better understanding of what drives the well-being of people and nations and what needs to be done to achieve greater progress for all”. The index is comprised of 24 indicators within 11 dimensions. Only one of the indicators includes cultural elements.
This Australian report aims “to deliver a tool to enable governments, the [cultural] sector and the community to monitor the achievements of the sector, the role arts and culture play in economic and social agendas, and the vitality and cultural impact of Australian arts and cultural output”. Based on “extensive research on international developments in cultural measurement”, the study examines what indicators are available and relevant in an Australian context. Sixteen high-level cultural indicators, grouped under three main themes, are outlined in the report.
The National Arts Index attempts to measure “the health and vitality of the arts in the U.S.” The report, released in 2012 and based largely on 2010 data, incorporates 83 equally-weighted national indicators across four key dimensions: financial flows; capacity; arts participation; and competitiveness. The report covers data from 1998 to 2010, with the base year being 2003 (when the index was set to 100). In 2010, the National Arts Index value was 96.7, the second-lowest level since 1998. The highest index values occurred in 2007 (103.4) and 1999 (103.3).
Based on data from 50 members of Orchestras Canada, this report highlights changes in the situation of orchestras between 2004-05 and 2011-12, including revenues, expenses, surplus, performances, and attendance. While overall revenues and expenses increased (by 13% and 12% respectively), the report notes that “the overall revenue mix for the 50 orchestras did not change between 2004-05 and 2011-12." A more detailed analysis of revenue sources shows that “fundraising from individuals has become an increasingly important component of orchestra revenues (41% increase between 2004-05 and 2011-12)”.