Based on a survey of over 14,000 attendees at performances by 23 choirs (including the Toronto Mendelssohn Choir and 22 American choruses), this report examines the experiences of audiences at live choral concerts. The goal of the research was to spur “critical reflection on how audiences construct meaning and memory from concerts of choral music, and how choruses can curate impacts through thoughtful program design”.
Based on a literature review, existing statistics, two focus groups, and a targeted survey of 30 stakeholders, this report examines “the patterns of attendance and cultural participation by young people in the theatre for young audiences (TYA) and the children’s festival sector in Canada”.
Two recent reports about the arts and culture in the Alberta Regional Municipality of Wood Buffalo (i.e., Fort McMurray and area) resulted from three research streams: 1) a telephone survey of a representative sample of local residents; 2) an internet survey of local artists and arts organizations; and 3) a literature review regarding the arts and regeneration after a disaster.
The Ottawa Insights series examines key data related to various “themes” that are important to local quality of life, including the arts and culture. The report provides information related to four areas of the arts and culture: Public participation; Programs and facilities; Investment in the arts; The arts and recreation economy.
This report attempts to provide a “health check” for the arts in England. Between 2007/08 and 2013/14, the overall arts index increased from 99 to 111. Most of the increase in the index occurred between 2007 and 2011.
Arguing that “creativity is a desirable and necessary element for a thriving community”, this American report attempts to identify cities with particularly strong artistic vibrancy among 937 metropolitan areas in the U.S.A.
The 2016 report of the National Arts Index, based largely on data from 2013, highlights the “post-recession recovery” of the arts using 81 equally-weighted national indicators across four key dimensions: financial flows; capacity; arts participation; and competitiveness. The overall index value was 99.8 in 2013, higher than any year since 2009 but only back to the levels in the first two years measured (2002 and 2003). In other words, based on this index, the arts in America are in roughly the same health as in 2002.
The Canadian Index of Wellbeing (CIW) looks beyond the key national economic indicator (Gross Domestic Product, or GDP) to attempt to measure “those areas of our lives that we care about the most, like education, health, the environment, and the relationships we have with others”. The health of leisure and culture is estimated using eight indicators, five of which relate to the arts, culture, and heritage.
This series of research projects included three primary research endeavours: 1) a comparison of the finances of 19 B.C. arts, culture, and heritage organizations with 38 “peer” organizations in other provinces; 2) analysis of a province-wide survey of arts, culture, and heritage organizations; and 3) a summary of 14 qualitative interviews “related to human resources, community engagement and impacts, diversity, the entrepreneurial nature of B.C. arts organizations, and the nature of success for different groups”.
This Quebec report provides information about attendance at theatre, dance, music, comedy, circus, and magic performances in 2015. There were 17,700 performances with an admission fee in Quebec in 2015 (a 3% increase from 2009), which attracted 6.7 million attendees (a 9% decrease from 2009). Box office revenues decreased from $274 million in 2009 to $233 million in 2015 (-15%).