Arts Research Monitor articles, category = Arts discipline information

Based on a survey of 1,001 Canadians 18 or older in June and July of 2012, this report examines Canadians’ attendance and personal involvement in the arts, culture, and heritage, as well as their perceptions regarding cultural activities and government support of culture.

Value of Presenting Study
The bulk of this presentation provides information about key demographic trends in Canada: a growing and aging population, differences in average age by location, increased immigration from Asian countries, and an increasing Aboriginal population. The report compares census data with attendance data to see whether different age groups are over or under-represented among performing arts audiences. The presentation indicates that classical music and theatre audiences skew older than the overall population, while popular music skews younger. The presentation also provides information about perceived benefits of the performing arts.
An Analysis of Attendance at Art Galleries, Theatres, Classical Music Performances, Popular Music Performances, and Cultural Festivals
Based on Statistics Canada’s 2010 General Social Survey, an in-depth telephone survey of about 7,500 Canadians 15 or older, this report concludes that “there is an arts-interested public that transcends demographics”. For example, the report indicates that “someone with less than a secondary school diploma was not very likely to visit an art gallery in 2010: only 20% did so. However, someone with the same level of education who attended a classical concert in 2010 was much more likely to visit an art gallery: 44% did so in 2010”.

Based on a literature review, a review of four organizations' mandates, direct observation, and semi-structured interviews, this study examines how socially-engaged visual arts organizations in the United Kingdom "bring about change in individuals and communities". The report argues that socially-engaged visual arts organizations, with strong social or civic missions, coherent philosophies of engagement, and clarity of purpose, have "a key role to play in placing the arts at the centre of civil society."

(United Kingdom)

Based on 11,111 on-site interviews in the summer of 2011 with visitors at 49 British art galleries, this report highlights a range of characteristics of art gallery visitors. Despite a caution regarding representation of all gallery visitors, the report does provide some interesting findings about survey respondents.

Statistics Canada recently released summary data on heritage institutions in 2010, including for-profit and not-for-profit heritage organizations such as art galleries, museums, historic sites, zoos and botanical gardens. The total operating revenues of all heritage organizations were $1.3 billion in 2010, a 3.4% increase from 2009. Total operating expenditures were $1.2 billion, leaving a small surplus of 3.1% of total revenues.

Based on a literature review, a survey of 85 organizations, in-depth interviews, and an analysis of aggregated financial and statistical information, this report examines the role and place of artist-run centre within the visual arts sector. The report concludes that artist-run centres "play a central role, supporting the production and critical advancement of emergent artistic practices and contributing to the development of the careers of artists and arts administrators".

In the consumer book market, a February 2012 survey (National Book Count) found that "e-book sales comprised 10% of all books sold in English Canada. Public libraries reported that 3% of their circulation comprised digital formats. This finding puts English Canada near the very top of international estimates on e-reading." Another survey (fall 2012) reported that e-book sales represent about 16% of all books sold in Canada, with paperbacks representing 57% of the market and hardcovers 24%.

This study attempts to address three key research questions: 1) "How is digital media currently used in theatres both in Ontario and beyond and what is the potential for expanding its use?"; 2) "How can the content developed for the stage be adapted and repurposed for use on digital media platforms?"; and 3) "How can theatres use digital media to reach a wider and more demographically diverse audience?"

Executive Summary

Based on a literature review and consultation with 250 arts practitioners and cultural workers, this report examines the impact of digital technologies on human resources in the cultural sector. The report argues that, "as the Canadian economy continues to move toward a knowledge-based economy, the creativity exhibited by the cultural sector will only increase in importance".