Based on data from 50 members of Orchestras Canada, this report highlights changes in the situation of orchestras between 2004-05 and 2011-12, including revenues, expenses, surplus, performances, and attendance. While overall revenues and expenses increased (by 13% and 12% respectively), the report notes that “the overall revenue mix for the 50 orchestras did not change between 2004-05 and 2011-12." A more detailed analysis of revenue sources shows that “fundraising from individuals has become an increasingly important component of orchestra revenues (41% increase between 2004-05 and 2011-12)”.
This brief report outlines key statistics on dance artists in Quebec, based on a custom survey of 375 dancers and choreographers with at least two years of professional experience. The report estimates that the total number of professional dancers in Quebec is about 650, including 470 women (73%) and 180 men (27%).
A component of the Canada Dance Mapping Study – which seeks to provide a comprehensive profile of the breadth and dance activity across Canada – this literature review examines a number of research sources regarding the state of dance in Canada, including professional, non-professional, and social dance. The literature review is organized around six key themes: dance policy, economics, ecology, social aspects, digital technologies, and artistic expression.
This report examines all cultural building projects in the United States between 1994 and 2008 based on a number of research methods. Overall, the researchers identified 725 cultural building projects started between 1994 and 2008, with a total cost of nearly $16 billion. One-half of the cultural building projects were multi-use performing arts centres, 39% were museums, and 11% were theatre-only projects.
In addition to providing a profile of performing arts presenters and summarizing research into arts attendance in Canada, this report examines potential benefits of the arts, including impacts on the quality of life, well-being, social engagement, health, education, and communities.
Based on a survey of 1,001 Canadians 18 or older in June and July of 2012, this report examines Canadians’ attendance and personal involvement in the arts, culture, and heritage, as well as their perceptions regarding cultural activities and government support of culture.
Based on a literature review, a review of four organizations' mandates, direct observation, and semi-structured interviews, this study examines how socially-engaged visual arts organizations in the United Kingdom "bring about change in individuals and communities". The report argues that socially-engaged visual arts organizations, with strong social or civic missions, coherent philosophies of engagement, and clarity of purpose, have "a key role to play in placing the arts at the centre of civil society."
Based on 11,111 on-site interviews in the summer of 2011 with visitors at 49 British art galleries, this report highlights a range of characteristics of art gallery visitors. Despite a caution regarding representation of all gallery visitors, the report does provide some interesting findings about survey respondents.